Matt Connors, President
Philip Geiger, Vice President
Philip Geiger is the Director of Education and Communication for the Hospice Giving Foundation, an independent grant-making and educational foundation focused on end-of-life care and preparedness in Monterey and San Benito Counties. Philip is responsible for increasing visibility and engagement in the community, and for promoting active preparation and meaningful discussion for end-of-life issues and care. Before joining HG Foundation in March of 2017, Philip spent five years as Development Director of Legal Services for Seniors. He has served on several nonprofit boards, and currently also sits on the board of the Association of Fundraising Professionals, Monterey Bay Chapter.
Philip’s serious interest in photography began eight years ago when he accompanied his wife, free-lance writer and writing instructor Lisa Crawford Watson, on an assignment to interview an organic rancher in Hollister. His photographs of the chickens, goats, sheep and guardian dogs started a second career as a journalistic photographer. His photos have now appeared in many local publications including Carmel Pine Cone, Monterey County Herald, Edible Monterey Bay, and Guest Life Monterey Bay, and in two books, Legendary Locals of Carmel-by-the Sea, and Eating with Grace.
Logan Norton, Secretary
Logan Norton was born in Grand Rapids, MI where he lived until a 2008 move to the Monterey Peninsula on California’s Central Coast. Inspired by the grandeur of Monterey, Santa Cruz and Big Sur, Logan began exploring photography as a medium for capturing the immense beauty of his new environment.
Logan’s early photographic practice was concerned with still life and landscape work that followed closely in the footsteps of the region’s greatest practitioners; Ansel Adams, Imogen Cunningham, and Brett Weston provided much of the inspiration for this work. As Logan’s proficiency and understanding of the medium progressed, he recognized a deep desire to use photography as a tool for understanding and explaining the intricate nature of humanity. Undoubtedly this transition was a confluence of his academic background in Social Sciences and a proclivity towards social voyeurism.
Logan’s current work is focuses on explorations into various elements of the human experience; specifically, concepts relating to how our experiences of home are influenced by the people and environments around us.
He is a member of the ImageMakers of Monterey and his current work is partially supported by a LEAP Grant from the Arts Council for Monterey County.
David grew up in the Midwest and, as an adult, became a corporate gypsy. After high school he served nineteen months with the Marine Corps in Vietnam and was discharged after four years. After his service he graduated from Long Beach State University with a BA in Philosophy, followed later with an MBA at Case Western Reserve University.
He first discovered the camera while in Vietnam and, in some form or fashion, has made pictures since. He built makeshift darkrooms in his bathrooms until he later found the time and space to build a proper darkroom.
He spent over 50 years managing manufacturing plants, the last thirty years in the Midwest, leaving little time to focus on his photography. Nearing retirement, he returned to his photography and has enjoyed the time life now affords to make pictures.
His photographs have been exhibited in Boston, New York City, Vermont, San Francisco, Los Angeles, Texas, and venues in and around Monterey.
David is a member of ImageMakers of Monterey. He serves as a volunteer docent at CPA. He and his wife Ginny, also a CPA volunteer, have two sons and four grandchildren.
Helaine Glick was born in San Francisco, and graduated Phi Beta Kappa with a BA in Art History from the University of California, Santa Cruz. She was the curatorial assistant and assistant curator at the Monterey Museum of Art in Monterey for fifteen years. There she curated numerous exhibitions including In Sharp Focus: The Legacy of Monterey Photography, and Bob Kolbrener In Real Time: Celebrating Fifty Years in Photography, as well as the recent An Eye for Adventure: Photographs by Jack London at the Sonoma Valley Museum of Art, and—as co-curator—CPA’s recent State of the Art exhibition at the Blitzer Gallery in Santa Cruz. She is in her second term on CPA’s Board of Trustees, and serves as chair of the programming committee. She currently works independently as curator and art writer, and has authored numerous art catalog and brochure essays. She has curated two exhibitions for CPA, Jane Olin + Elizabeth Opalenik: On the Edge of Chance in 2016, and Here on Earth in 2019.
Frank Yamrus is a fine art photographer who recently moved back to California, this time calling Los Angeles his home. Prior to this relocation, Frank spent eight years in New York City. While living in Manhattan, he started a series of portraits, “A Sense of a Beginning,” capturing in vivid detail and color the impact HIV/AIDS has had on long-term survivors of this disease. In many ways this collection of photographs bookends Frank’s first major body of work, Primitive Behavior. That series of luscious black and white prints was shot in the dunes and marshes of Provincetown, Massachusetts, a space known for anonymous sexual encounters between men. Frank claimed this sacred land as his studio and addressed the psychological issues, such as multiple losses, depression, despair and survivor syndrome, that were devastating his community. Before New York, Frank lived and played in San Francisco —his home after he received his MBA from Drexel University in 1986.
Having exhibited extensively across the United States and Europe, Frank’s’ images can be found in many public and private collections including London’s Victoria and Albert Museum, the Los Angeles Contemporary Museum of Art, The Kinsey Institute of Indiana University, the Santa Barbara Museum of Art, the Special Collections at the Harry Ransom Center at the University of Texas, Austin, and the Museum of Fine Arts, Houston. His work has been published in numerous catalogues, books and magazines. Frank is represented by ClampArt in New York City and Catherine Couturier Gallery in Houston.
In addition to producing work, Frank has served on the executive and curatorial committees of the Board of Directors at SF Camerawork from 1999 – 2004. During his tenure at SF Camerawork, he co-curated three exhibitions: Untitled [Conjecture], No Exit: Images of Imprisonment, and The Space Between: Locating Intimacy. Frank has also served on the Board of Directors of Blue Sky Gallery in Portland, Oregon and on their National Advisory Board.